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Once you start listening, like us, you’ll be hooked.Ī Brief History Of The New Beat Culture Part 01 (87 – 89)
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The press gave it the tittle ‘New Beat’ when the commercial acts came at the end of this scene.”
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Mostly minor or diminished scale: ‘the dark factor’. “All was created around jams with the atmospheres for those clubs. “There was no theory involved,” Abbeloos says. These productions would then get airings on less popular nights, such as Sundays, or early in the morning. They created instrumental tracks based around hypnotic jams with less vocals.” Because of the attention it got in some famous Belgian clubs producers started to transform it.
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While Chicago and Detroit clearly played an important role in shaping the future of dance music, New Beat was a distinctly darker, slower tempo hybrid of industrial beats and pulsing synth lines, mainly produced between 19, which earned a new legion of fans with the emergence of electroclash a decade later.Ī few months ago, Belgian producer Olivier Abbeloos, of T99 and Quadrophonia fame, produced a series of six hour-long mixes, exploring this genre in more detail, which are getting repeated airplay at 909originals HQ.Īs Abbeloos explains on his Soundcloud page, New Beat “started with rare instrumental B-sides and album tracks of electro, EBM and new wave in the 80’s. The ‘New Beat’ genre, which emerged out of the EBM and New Wave scene in the mid- to late-80s is arguably one of the most important, yet under-appreciated, in the history of electronic music.